Sunday, March 14, 2010
But Where Was I Before?
Tuesday, March 09, 2010
Monday, March 08, 2010
The Town
Staying in the Lines
Staying in the Lines
Red lights start to blink
in my rear view mirror and
I wonder
what if I could put blue
everywhere red now stands,
would it make a difference?
Color sneaks
into every meeting, presses
its significance. What if all the world
were a fresh coloring book--
white pages/ black lines
and nothing more?
I could grab a crayon, dress
that cop in a red clown suit--
far better too
if I could flip back a few pages
and, without overrunning the edges,
make the corpse bleed blue.
Turning
Turning
I don’t understand
the revolving door.
Moving, always moving
in one place.
There is comfort
in an open door,
a closed door--
knowing just where I stand,
one side or the other
of somewhere.
But here I turn
forgetting where I got in,
unsure when to exit.
Okay, I’m an idiot.
I find I’m transfixed
by the man two slots
ahead of me.
He is both fat and flimsy,
held together
by a bow tie, a ghost
between sheets of glass.
I can’t decide if I follow him
or if he is following me.
Without Instruments
Without Instruments
All that exists we imagine,
the great circle of the earth tilted
on magnetic lines,
minute organisms that dip and bob
in a glass of water-
all either too large or too small
to examine without instruments. Our fingers
can’t peel back mountains
to extract the molten peach pit
at the core nor charm bacteria
into a snake dance with the songs they drum.
We imagine
that we move along parallels,
tropics that never converge,
each believing
in its own symbolic power to inscribe
the surface of the earth with its existence.
We imagine
that we wind like thread around a spool,
strands of singularity, each
its own color and texture.
We imagine that it matters
what we think,
what we do,
what we say. We believe in ourselves
like geography, like science,
something written in a book--
too large
too small.
Friday, March 05, 2010
My brain cells are fried
Poets Should Not Wed Poets
In Santa Fe, all the downtown buildings
are pink adobe. Some two-story
geometrics with arched windows, some--
like the McDonald’s--
squat, rosy boxes beside logo-bearing signs.
It’s all very picturesque at first,
so visually poetic.
But I wonder do the buildings tire
of each other,
search in vain for steel and glass
or a tiny white cottage,
even a rusty mobile home?
Balance.
Balance beside a Canadian lake,
those who speak
and those who listen.
Moving waters
and the stone grottos they lap against.
Silent cedars
and the bears that prowl amongst them.
Milky moonlight
and the coffee-black sky that accepts it.
Poets should not wed poets,
should not struggle with metaphors
for garbage night.
Much better to tune ears to casual wisdom
and write it down
without fear of infringement.












